“In his review of Lesego Rampolokeng’s Bantu Ghost (2009), “Post-Freedom Dreams and Nightmares”, reprinted in this special issue, Mphutlane wa Bofelo aptly writes that “one could not help but come to the conclusion that Lesego Rampolokeng is to literature and theatre what Fanon and Biko are to socio-political analysis and activism.”
– Danyela Dimakatso Demir
